Stijn Terpstra
Daily life continues to shape itself within the digital framework. Humans obsessively count and measure in order to understand the world. This digital existence is in a way a primitive life, one which was established by the use of counting with their fingers. The tools through which they perceive the world around them create a new relationship between humans and their environment. “Through The Opera Glass” - an homage to the first birdwatchers - examines if we are still connected to nature or if the rise of big data is concluding our intuition and experience-based handling of reality. The bird and their spectators are the allegory of this research into perception and data. In an unstable world, perceiving the reality around us as data leaves no possibility for half-values within the digital language of ones and zeros. By researching the themes of human perception, technology, and our relationship with nature, I use reflective strategies to bring visual information to my viewer. My work serves as a way to question the claimed unambiguity of algorithms and data. By collaborating documentary and staged photography I create an inconclusive reality. Through visualizing subjects, I critically question the larger social issue they represent.
Stijn Terpstra
Daily life continues to shape itself within the digital framework. Humans obsessively count and measure in order to understand the world. This digital existence is in a way a primitive life, one which was established by the use of counting with their fingers. The tools through which they perceive the world around them create a new relationship between humans and their environment. “Through The Opera Glass” - an homage to the first birdwatchers - examines if we are still connected to nature or if the rise of big data is concluding our intuition and experience-based handling of reality. The bird and their spectators are the allegory of this research into perception and data. In an unstable world, perceiving the reality around us as data leaves no possibility for half-values within the digital language of ones and zeros. By researching the themes of human perception, technology, and our relationship with nature, I use reflective strategies to bring visual information to my viewer. My work serves as a way to question the claimed unambiguity of algorithms and data. By collaborating documentary and staged photography I create an inconclusive reality. Through visualizing subjects, I critically question the larger social issue they represent.
BLURRING THE LINES
FOSTERING TALENT AND NETWORKING IN VISUAL CULTURE
Program Leader
Partners
BLURRING THE LINES
FOSTERING TALENT AND NETWORKING IN VISUAL CULTURE
Program Leader
Partners
We use cookies. To find out more, read our Cookie and Privacy Policy.
Cookie | Duration | Description |
---|---|---|
cookielawinfo-checkbox-analytics | 11 months | This cookie is set by GDPR Cookie Consent plugin. The cookie is used to store the user consent for the cookies in the category "Analytics". |
cookielawinfo-checkbox-functional | 11 months | The cookie is set by GDPR cookie consent to record the user consent for the cookies in the category "Functional". |
cookielawinfo-checkbox-necessary | 11 months | This cookie is set by GDPR Cookie Consent plugin. The cookies is used to store the user consent for the cookies in the category "Necessary". |
cookielawinfo-checkbox-others | 11 months | This cookie is set by GDPR Cookie Consent plugin. The cookie is used to store the user consent for the cookies in the category "Other. |
cookielawinfo-checkbox-performance | 11 months | This cookie is set by GDPR Cookie Consent plugin. The cookie is used to store the user consent for the cookies in the category "Performance". |
viewed_cookie_policy | 11 months | The cookie is set by the GDPR Cookie Consent plugin and is used to store whether or not user has consented to the use of cookies. It does not store any personal data. |