Jamie Ho
University of Nebraska-Lincoln, United States
When a beam of bright light hits the convex and polished surface, an image is reflected back onto the wall. This is a description of a magic mirror, an object from the Han Dynasy (206 BC - 24 AD) and one that is synonymous with how Euro-America views China: both technically advanced and shrouded in mystery. Like magic mirrors, the GIFs I create generate mirror images, an alternate world that highlights the ways rituals are both private and public and the ways my body cannot fit into the impossibility of euro-centric beauty standards.
Through GIFs, photography, sound, and installation, I use the aesthetics of Camp, the lighting studio, theatre-esque curtains, and spotlights to stage drag performances that confront audiences’ understanding of queerness and gender. My work explores the long-term impact of assimilation through simulating and subverting my ancestral Chinese traditions and rituals and references historical Chinese objects as a method of reimagining connections to my ancestral roots. Though I’m inspired by Chinese historical objects, ancestral traditions, and current experiences within Chinese diaspora, my work is future facing. Like a magic mirror, I’m building a reality where the horizon is infinite and absurdly beautiful - absent of these pressures to conform to societal constructs that are white, heteronormative, and able-bodied. I’m creating an alternate place to not just exist freely and safely, but also to have joy and humor and play.
Jamie Ho
University of Nebraska-Lincoln, United States
When a beam of bright light hits the convex and polished surface, an image is reflected back onto the wall. This is a description of a magic mirror, an object from the Han Dynasy (206 BC - 24 AD) and one that is synonymous with how Euro-America views China: both technically advanced and shrouded in mystery. Like magic mirrors, the GIFs I create generate mirror images, an alternate world that highlights the ways rituals are both private and public and the ways my body cannot fit into the impossibility of euro-centric beauty standards.
Through GIFs, photography, sound, and installation, I use the aesthetics of Camp, the lighting studio, theatre-esque curtains, and spotlights to stage drag performances that confront audiences’ understanding of queerness and gender. My work explores the long-term impact of assimilation through simulating and subverting my ancestral Chinese traditions and rituals and references historical Chinese objects as a method of reimagining connections to my ancestral roots. Though I’m inspired by Chinese historical objects, ancestral traditions, and current experiences within Chinese diaspora, my work is future facing. Like a magic mirror, I’m building a reality where the horizon is infinite and absurdly beautiful - absent of these pressures to conform to societal constructs that are white, heteronormative, and able-bodied. I’m creating an alternate place to not just exist freely and safely, but also to have joy and humor and play.
BLURRING THE LINES
FOSTERING TALENT AND NETWORKING IN VISUAL CULTURE
Program Leader
Partners
BLURRING THE LINES
FOSTERING TALENT AND NETWORKING IN VISUAL CULTURE
Program Leader
Partners
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