Anna Bányász
This personal project seeks to answer, among other questions, the role of a self-sustaining economy today. Is it possible to consider a close-to-nature way of life as an alternative way of life for the future? Memories and nostalgia inspire my photo project. “Nostalgia” is a kind of involuntary memory, and the essence is revealed in involuntary memory. In essence, consciousness is captured, the ideal. In nostalgic memory, things do not appear as they once were, but rather as we have never experienced before: in their essential form. My series aims to capture this undefined essence and raise awareness of it in the present. In this way, I am evoking a past that has never happened in its entirety as I commemorate it now; therefore, this offers the possibility that it will become as I wanted it to be in the future.
Anna Bányász
This personal project seeks to answer, among other questions, the role of a self-sustaining economy today. Is it possible to consider a close-to-nature way of life as an alternative way of life for the future? Memories and nostalgia inspire my photo project. “Nostalgia” is a kind of involuntary memory, and the essence is revealed in involuntary memory. In essence, consciousness is captured, the ideal. In nostalgic memory, things do not appear as they once were, but rather as we have never experienced before: in their essential form. My series aims to capture this undefined essence and raise awareness of it in the present. In this way, I am evoking a past that has never happened in its entirety as I commemorate it now; therefore, this offers the possibility that it will become as I wanted it to be in the future.
BLURRING THE LINES
FOSTERING TALENT AND NETWORKING IN VISUAL CULTURE
Program Leader
Partners
BLURRING THE LINES
FOSTERING TALENT AND NETWORKING IN VISUAL CULTURE
Program Leader
Partners
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