BLURRING THE LINES
BLURRING THE LINES

Cora Sun Yuting

Journey to Home

EDITION

2021, Winner

school

Moholy-Nagy University of Art and Design
Budapest, Hungary

Journey to Home examines the personal connections with the urban change of my hometown Chuxiong, a small city in the southwest of China. Just like many other cities in China, the old town in my hometown inevitably faces the same fate of being demolished and transformed into a brand new business district. Dramatic changes that occurred are changing people's lives as well. This project tells the story of the city, people, and memory in a metaphorical way. It is told in four interconnecting chapters about the transition of the city, changing of times for people, cherishing the past memory, and finding self-identity through this precious journey, more importantly reconnecting with my family and witnessing the change of my hometown after years of being away. Through Journey to Home, I ask and attempt to answer the fundamental question, is this change indicative of a denial of the past or a bright new future of the Chinese Dream?

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Cora Sun Yuting

Journey to Home

EDITION

2021, Winner

school

Moholy-Nagy University of Art and Design
Budapest, Hungary

Journey to Home examines the personal connections with the urban change of my hometown Chuxiong, a small city in the southwest of China. Just like many other cities in China, the old town in my hometown inevitably faces the same fate of being demolished and transformed into a brand new business district. Dramatic changes that occurred are changing people's lives as well. This project tells the story of the city, people, and memory in a metaphorical way. It is told in four interconnecting chapters about the transition of the city, changing of times for people, cherishing the past memory, and finding self-identity through this precious journey, more importantly reconnecting with my family and witnessing the change of my hometown after years of being away. Through Journey to Home, I ask and attempt to answer the fundamental question, is this change indicative of a denial of the past or a bright new future of the Chinese Dream?

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